• Re: I got yer TED WEBER KIT RIGHT HERE

    From NoName@1:229/2 to Lord Valve on Saturday, April 18, 2020 17:35:02
    XPost: alt.guitar.amps
    From: NoEmail@ever.com

    On 4/18/20 1:16 PM, Lord Valve wrote:
    s how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. Tha


    Lord Valve, ThD
    Expert (fuck you)


    What a fucking liar !!


    A Ted Weber kit with nothing but the name-plate removed !!

    100% cloned Fender schematic !!!

    https://www.tedweber.com/media/kits/6a20_schem.jpg

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to NoName on Saturday, April 18, 2020 18:57:27
    From: ghost.crapper@gmail.com

    ORIGINAL POST TO AGA:

    https://www.youtube.com/watch?v=pQVHn9U8r8g

    Astonishingly good young guitarist Taylor Scott
    shows how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. That
    amp's been on the road constantly since I built
    it for him 4-5 years ago (can't remember exactly)
    and so far the only thing it's needed is a set
    of tubes and a #47 pilot bulb. The speaker is a
    Weber DT-12.

    And a few more:

    https://www.youtube.com/watch?v=0I7PGxbFL5g

    https://www.youtube.com/watch?v=aRnSnaUEB9U
    (Napper close-up at 0:32)

    https://www.youtube.com/watch?v=JhNqfS1WMNY


    Lord Valve, ThD
    Expert (fuck you)

    --------------------------------------------------------

    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    s how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. Tha


    Lord Valve, ThD
    Expert (fuck you)


    What a fucking liar !!

    I agree - you certainly are. Hey - have you gotten
    that toilet paper/ammo thing sorted out yet? Try
    not to shoot yourself up the ass, OK?



    A Ted Weber kit with nothing but the name-plate removed !!

    Mmmmm, no. Now, pay attention here, junior. If you have
    a look at Ted's 6a20, you'll see that it's a 2-channel
    amp with reverb and tremolo. As such, the front of the
    chassis requires 4 holes for 1/4" jacks plus 10 holes
    for controls and one large round hole for the pilot light.
    Add a couple of rectangular holes for the bright switches,
    and we have a front panel with 17 holes in it. The 6a20
    is Ted's version of the Deluxe Reverb. A Napper 12/24 has
    2 jacks for inputs, 6 holes for controls, and one larger
    hole for the pilot light. This is a one-channel amp; the
    control lineup from left to right is Volume, Treble, Middle,
    Bass, Reverb and Soul. The "Soul" control is a negative
    feedback control. Try to find one of *those* on ANY Fender
    schematic...oh, wait, I'm sorry...I forgot. You can't read
    one of those, can you. Ref your laugher of a statement on the
    MV thread where you claimed: "My 2204 jcm800 had a master
    volume set on the input stage, not the PI." Of course, if
    you were able to *read* a schematic you'd have pulled one up
    to make sure you had that right before you posted it in front
    of people who can tell the difference between electronics and
    bullshit. And had you done so (assuming that you could read
    a schematic, which you can't) you'd have instantly seen that
    the 2204's MV control was on the input to the PI stage -
    right where you said it wasn't. Well, DUH! Not so slick, are
    we? SO - back to the Napper: 9 holes - 8 for 3/8" bushings
    and one larger one for the pilot light. No square ones, because
    the amp doesn't use slide switches for anything - they're cheap
    and cheesy, and I don't use them in my amps. So...if that were
    any sort of Weber kit - *ESPECIALLY* the 6a20, there would be
    a lot of empty space and extra holes on it. There isn't.

    100% cloned Fender schematic !!!

    Well, excuse me for mentioning it, but...HOW THE FUCK WOULD
    *YOU* KNOW? You've already posted one that's not even related;
    are you going to dig through Ted's archives pulling shit up at
    random until you find something with the right number of holes?
    (No-one's going to wait for you to find something that's even a distantly-related match; we're talking typewriters and monkeys
    here. No time to wait for fucktards, luck or accidents, see?)

    https://www.tedweber.com/media/kits/6a20_schem.jpg

    Yes, conclusive proof that you A) can't read a schematic, and
    B) can neither count to 9 nor subtract 9 from 17 to figure out
    how many you missed by. This is getting laughable...how many
    times are you going to get your pitiful ass handed to you
    before you quit?

    You can't bash Taylor Scott, he's one of the finest players
    on this fucking planet. Good thing you didn't try, eh? And
    as far as the tone goes, that little amp is better than
    anything you will ever build (or own, for that matter) in your
    entire miserable wannabee life.

    Go home and practice, schmuck. And don't forget to feed
    the monkeys.


    Lord Valve, ThD
    Expert (fuck you)

    T R U M P 2 0 2 4 - M A G A / K A G - 1 7 7 6 / 1 8 6 1

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Twang@1:229/2 to All on Sunday, April 19, 2020 10:37:41
    From: coleman_patrick@hotmail.com

    That picker and that Napper are both pretty damn wonderful.
    I looked at the schematic for Weber and that's not the same amp.
    You can't, as you say. claim otherwise. It'd be rather like saying every amp was any amp.
    A hole count ought to tell the tale, can you really remove that many controls and wind up with
    the same tone?
    I can't! I try, because I lean toward simple amps anyway. But I know damn well you can't. You would have to measure every pot for it's most effective tone--somehow!--and then what.. put in the right Resistors to emulate that? nah. that don't fly.
    Maybe I'm missing something? I don't think so though.


    I get a huge kick out of country licks on a les paul. (due to disagreements with guitarists in previous bands.. said arguments totally destroyed by that dude.)

    TWANG

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From NoName@1:229/2 to Twang on Sunday, April 19, 2020 17:08:29
    From: NoEmail@ever.com

    On 4/19/20 1:37 PM, Twang wrote:

    That picker and that Napper are both pretty damn wonderful.
    I looked at the schematic for Weber and that's not the same amp.
    You can't, as you say. claim otherwise. It'd be rather like saying every amp was any amp.
    A hole count ought to tell the tale, can you really remove that m


    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From NoName@1:229/2 to Defiant on Monday, April 20, 2020 22:04:07
    From: NoEmail@ever.com

    On 4/20/20 9:36 PM, Defiant wrote:
    On Sat, 18 Apr 2020 18:57:27 -0700, Lord Valve wrote:

    ORIGINAL POST TO AGA:

    https://www.youtube.com/watch?v=pQVHn9U8r8g

    Astonishingly good young guitarist Taylor Scott
    shows how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. That
    amp's been on the road constantly since I built
    it for him 4-5 years ago (can't remember exactly)
    and so far the only thing it's needed is a set
    of tubes and a #47 pilot bulb. The speaker is a
    Weber DT-12.

    And a few more:

    https://www.youtube.com/watch?v=0I7PGxbFL5g

    https://www.youtube.com/watch?v=aRnSnaUEB9U
    (Napper close-up at 0:32)

    https://www.youtube.com/watch?v=JhNqfS1WMNY


    Lord Valve, ThD
    Expert (fuck you)

    --------------------------------------------------------

    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    s how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. Tha


    Lord Valve, ThD
    Expert (fuck you)


    What a fucking liar !!

    I agree - you certainly are. Hey - have you gotten
    that toilet paper/ammo thing sorted out yet? Try
    not to shoot yourself up the ass, OK?



    A Ted Weber kit with nothing but the name-plate removed !!

    Mmmmm, no. Now, pay attention here, junior. If you have
    a look at Ted's 6a20, you'll see that it's a 2-channel
    amp with reverb and tremolo. As such, the front of the
    chassis requires 4 holes for 1/4" jacks plus 10 holes
    for controls and one large round hole for the pilot light.
    Add a couple of rectangular holes for the bright switches,
    and we have a front panel with 17 holes in it. The 6a20
    is Ted's version of the Deluxe Reverb. A Napper 12/24 has
    2 jacks for inputs, 6 holes for controls, and one larger
    hole for the pilot light. This is a one-channel amp; the
    control lineup from left to right is Volume, Treble, Middle,
    Bass, Reverb and Soul. The "Soul" control is a negative
    feedback control. Try to find one of *those* on ANY Fender
    schematic...oh, wait, I'm sorry...I forgot. You can't read
    one of those, can you. Ref your laugher of a statement on the
    MV thread where you claimed: "My 2204 jcm800 had a master
    volume set on the input stage, not the PI." Of course, if
    you were able to *read* a schematic you'd have pulled one up
    to make sure you had that right before you posted it in front
    of people who can tell the difference between electronics and
    bullshit. And had you done so (assuming that you could read
    a schematic, which you can't) you'd have instantly seen that
    the 2204's MV control was on the input to the PI stage -
    right where you said it wasn't. Well, DUH! Not so slick, are
    we? SO - back to the Napper: 9 holes - 8 for 3/8" bushings
    and one larger one for the pilot light. No square ones, because
    the amp doesn't use slide switches for anything - they're cheap
    and cheesy, and I don't use them in my amps. So...if that were
    any sort of Weber kit - *ESPECIALLY* the 6a20, there would be
    a lot of empty space and extra holes on it. There isn't.

    100% cloned Fender schematic !!!

    Well, excuse me for mentioning it, but...HOW THE FUCK WOULD
    *YOU* KNOW? You've already posted one that's not even related;
    are you going to dig through Ted's archives pulling shit up at
    random until you find something with the right number of holes?
    (No-one's going to wait for you to find something that's even a
    distantly-related match; we're talking typewriters and monkeys
    here. No time to wait for fucktards, luck or accidents, see?)

    https://www.tedweber.com/media/kits/6a20_schem.jpg

    Yes, conclusive proof that you A) can't read a schematic, and
    B) can neither count to 9 nor subtract 9 from 17 to figure out
    how many you missed by. This is getting laughable...how many
    times are you going to get your pitiful ass handed to you
    before you quit?

    You can't bash Taylor Scott, he's one of the finest players
    on this fucking planet. Good thing you didn't try, eh? And
    as far as the tone goes, that little amp is better than
    anything you will ever build (or own, for that matter) in your
    entire miserable wannabee life.

    Go home and practice, schmuck. And don't forget to feed
    the monkeys.


    Lord Valve, ThD
    Expert (fuck you)

    T R U M P 2 0 2 4 - M A G A / K A G - 1 7 7 6 / 1 8 6 1

    NoBrains gets thoroughly *Pwn3D!* by Lord Valve! That's gotta sting
    like a bitch! :-D




    So you share c0ck sucking duties with Ben ?

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Defiant@1:229/2 to NoName on Tuesday, April 21, 2020 02:52:21
    From: spam_this@outhouse.com

    On Mon, 20 Apr 2020 22:04:07 -0400, NoName wrote:

    On 4/20/20 9:36 PM, Defiant wrote:
    On Sat, 18 Apr 2020 18:57:27 -0700, Lord Valve wrote:

    ORIGINAL POST TO AGA:

    https://www.youtube.com/watch?v=pQVHn9U8r8g

    Astonishingly good young guitarist Taylor Scott
    shows how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. That
    amp's been on the road constantly since I built
    it for him 4-5 years ago (can't remember exactly)
    and so far the only thing it's needed is a set
    of tubes and a #47 pilot bulb. The speaker is a
    Weber DT-12.

    And a few more:

    https://www.youtube.com/watch?v=0I7PGxbFL5g

    https://www.youtube.com/watch?v=aRnSnaUEB9U
    (Napper close-up at 0:32)

    https://www.youtube.com/watch?v=JhNqfS1WMNY


    Lord Valve, ThD
    Expert (fuck you)

    --------------------------------------------------------

    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    s how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. Tha


    Lord Valve, ThD
    Expert (fuck you)


    What a fucking liar !!

    I agree - you certainly are. Hey - have you gotten
    that toilet paper/ammo thing sorted out yet? Try
    not to shoot yourself up the ass, OK?



    A Ted Weber kit with nothing but the name-plate removed !!

    Mmmmm, no. Now, pay attention here, junior. If you have
    a look at Ted's 6a20, you'll see that it's a 2-channel
    amp with reverb and tremolo. As such, the front of the
    chassis requires 4 holes for 1/4" jacks plus 10 holes
    for controls and one large round hole for the pilot light.
    Add a couple of rectangular holes for the bright switches,
    and we have a front panel with 17 holes in it. The 6a20
    is Ted's version of the Deluxe Reverb. A Napper 12/24 has
    2 jacks for inputs, 6 holes for controls, and one larger
    hole for the pilot light. This is a one-channel amp; the
    control lineup from left to right is Volume, Treble, Middle,
    Bass, Reverb and Soul. The "Soul" control is a negative
    feedback control. Try to find one of *those* on ANY Fender
    schematic...oh, wait, I'm sorry...I forgot. You can't read
    one of those, can you. Ref your laugher of a statement on the
    MV thread where you claimed: "My 2204 jcm800 had a master
    volume set on the input stage, not the PI." Of course, if
    you were able to *read* a schematic you'd have pulled one up
    to make sure you had that right before you posted it in front
    of people who can tell the difference between electronics and
    bullshit. And had you done so (assuming that you could read
    a schematic, which you can't) you'd have instantly seen that
    the 2204's MV control was on the input to the PI stage -
    right where you said it wasn't. Well, DUH! Not so slick, are
    we? SO - back to the Napper: 9 holes - 8 for 3/8" bushings
    and one larger one for the pilot light. No square ones, because
    the amp doesn't use slide switches for anything - they're cheap
    and cheesy, and I don't use them in my amps. So...if that were
    any sort of Weber kit - *ESPECIALLY* the 6a20, there would be
    a lot of empty space and extra holes on it. There isn't.

    100% cloned Fender schematic !!!

    Well, excuse me for mentioning it, but...HOW THE FUCK WOULD
    *YOU* KNOW? You've already posted one that's not even related;
    are you going to dig through Ted's archives pulling shit up at
    random until you find something with the right number of holes?
    (No-one's going to wait for you to find something that's even a
    distantly-related match; we're talking typewriters and monkeys
    here. No time to wait for fucktards, luck or accidents, see?)

    https://www.tedweber.com/media/kits/6a20_schem.jpg

    Yes, conclusive proof that you A) can't read a schematic, and
    B) can neither count to 9 nor subtract 9 from 17 to figure out
    how many you missed by. This is getting laughable...how many
    times are you going to get your pitiful ass handed to you
    before you quit?

    You can't bash Taylor Scott, he's one of the finest players
    on this fucking planet. Good thing you didn't try, eh? And
    as far as the tone goes, that little amp is better than
    anything you will ever build (or own, for that matter) in your
    entire miserable wannabee life.

    Go home and practice, schmuck. And don't forget to feed
    the monkeys.


    Lord Valve, ThD
    Expert (fuck you)

    T R U M P 2 0 2 4 - M A G A / K A G - 1 7 7 6 / 1 8 6 1

    NoBrains gets thoroughly *Pwn3D!* by Lord Valve! That's gotta sting
    like a bitch! :-D




    So you share c0ck sucking duties with Ben ?

    It *ALWAYS* comes back yo cock sucking with you, doesn't it? Whenever
    you get your ass handed to you (which is every thread), you fall back
    to the one subject of which you are an expert.

    Fuck off, faggot.
    <honk!>

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Twang@1:229/2 to NoName on Tuesday, April 21, 2020 08:42:21
    From: coleman_patrick@hotmail.com

    On Sunday, April 19, 2020 at 4:08:33 PM UTC-5, NoName wrote:
    On 4/19/20 1:37 PM, Twang wrote:

    That picker and that Napper are both pretty damn wonderful.
    I looked at the schematic for Weber and that's not the same amp.
    You can't, as you say. claim otherwise. It'd be rather like saying every
    amp
    was any amp.
    A hole count ought to tell the tale, can you really remove that m


    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From NoName@1:229/2 to Twang on Tuesday, April 21, 2020 12:58:31
    From: NoEmail@void.net

    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor
    the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward
    differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Defiant@1:229/2 to Lord Valve on Tuesday, April 21, 2020 01:36:41
    From: spam_this@outhouse.com

    On Sat, 18 Apr 2020 18:57:27 -0700, Lord Valve wrote:

    ORIGINAL POST TO AGA:

    https://www.youtube.com/watch?v=pQVHn9U8r8g

    Astonishingly good young guitarist Taylor Scott
    shows how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. That
    amp's been on the road constantly since I built
    it for him 4-5 years ago (can't remember exactly)
    and so far the only thing it's needed is a set
    of tubes and a #47 pilot bulb. The speaker is a
    Weber DT-12.

    And a few more:

    https://www.youtube.com/watch?v=0I7PGxbFL5g

    https://www.youtube.com/watch?v=aRnSnaUEB9U
    (Napper close-up at 0:32)

    https://www.youtube.com/watch?v=JhNqfS1WMNY


    Lord Valve, ThD
    Expert (fuck you)

    --------------------------------------------------------

    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    On Saturday, April 18, 2020 at 3:35:07 PM UTC-6, NoName wrote:
    On 4/18/20 1:16 PM, Lord Valve wrote:
    s how it's done; on the floor at Taylor's
    left, a Lord Valve Napper 12 (24-watt) combo. Tha


    Lord Valve, ThD
    Expert (fuck you)


    What a fucking liar !!

    I agree - you certainly are. Hey - have you gotten
    that toilet paper/ammo thing sorted out yet? Try
    not to shoot yourself up the ass, OK?



    A Ted Weber kit with nothing but the name-plate removed !!

    Mmmmm, no. Now, pay attention here, junior. If you have
    a look at Ted's 6a20, you'll see that it's a 2-channel
    amp with reverb and tremolo. As such, the front of the
    chassis requires 4 holes for 1/4" jacks plus 10 holes
    for controls and one large round hole for the pilot light.
    Add a couple of rectangular holes for the bright switches,
    and we have a front panel with 17 holes in it. The 6a20
    is Ted's version of the Deluxe Reverb. A Napper 12/24 has
    2 jacks for inputs, 6 holes for controls, and one larger
    hole for the pilot light. This is a one-channel amp; the
    control lineup from left to right is Volume, Treble, Middle,
    Bass, Reverb and Soul. The "Soul" control is a negative
    feedback control. Try to find one of *those* on ANY Fender
    schematic...oh, wait, I'm sorry...I forgot. You can't read
    one of those, can you. Ref your laugher of a statement on the
    MV thread where you claimed: "My 2204 jcm800 had a master
    volume set on the input stage, not the PI." Of course, if
    you were able to *read* a schematic you'd have pulled one up
    to make sure you had that right before you posted it in front
    of people who can tell the difference between electronics and
    bullshit. And had you done so (assuming that you could read
    a schematic, which you can't) you'd have instantly seen that
    the 2204's MV control was on the input to the PI stage -
    right where you said it wasn't. Well, DUH! Not so slick, are
    we? SO - back to the Napper: 9 holes - 8 for 3/8" bushings
    and one larger one for the pilot light. No square ones, because
    the amp doesn't use slide switches for anything - they're cheap
    and cheesy, and I don't use them in my amps. So...if that were
    any sort of Weber kit - *ESPECIALLY* the 6a20, there would be
    a lot of empty space and extra holes on it. There isn't.

    100% cloned Fender schematic !!!

    Well, excuse me for mentioning it, but...HOW THE FUCK WOULD
    *YOU* KNOW? You've already posted one that's not even related;
    are you going to dig through Ted's archives pulling shit up at
    random until you find something with the right number of holes?
    (No-one's going to wait for you to find something that's even a distantly-related match; we're talking typewriters and monkeys
    here. No time to wait for fucktards, luck or accidents, see?)

    https://www.tedweber.com/media/kits/6a20_schem.jpg

    Yes, conclusive proof that you A) can't read a schematic, and
    B) can neither count to 9 nor subtract 9 from 17 to figure out
    how many you missed by. This is getting laughable...how many
    times are you going to get your pitiful ass handed to you
    before you quit?

    You can't bash Taylor Scott, he's one of the finest players
    on this fucking planet. Good thing you didn't try, eh? And
    as far as the tone goes, that little amp is better than
    anything you will ever build (or own, for that matter) in your
    entire miserable wannabee life.

    Go home and practice, schmuck. And don't forget to feed
    the monkeys.


    Lord Valve, ThD
    Expert (fuck you)

    T R U M P 2 0 2 4 - M A G A / K A G - 1 7 7 6 / 1 8 6 1

    NoBrains gets thoroughly *Pwn3D!* by Lord Valve! That's gotta sting
    like a bitch! :-D

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to All on Tuesday, April 21, 2020 11:07:12
    From: ghost.crapper@gmail.com

    (crickets)

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Twang@1:229/2 to NoName on Wednesday, April 22, 2020 13:03:54
    From: coleman_patrick@hotmail.com

    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, NoName wrote:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor
    the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward
    differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have
    the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe reverb. TWANG

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From lulupakalolo@gmail.com@1:229/2 to Twang on Wednesday, April 22, 2020 14:22:46
    On Wednesday, April 22, 2020 at 1:03:56 PM UTC-7, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, NoName wrote:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls.
    Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty
    straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little
    amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe
    reverb.
    TWANG



    Basic Fender amp EQ advice -

    "Classic" Fender amps have 2 or 3 EQ knobs: Bass, Midrange, and Treble, that go
    from 0 to 10. Leo Fender designed these passive circuits to be flat when all EQ knobs are set at max. Start with the EQ knobs maxed out and then slowly back them off to
    achieve desired tone. This method really helps to peg midrange on Blackface amps.

    YMMV,
    Lulu ; )

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From NoName@1:229/2 to Twang on Wednesday, April 22, 2020 19:16:17
    XPost: alt.guitar.amps
    From: NoEmail@ever.com

    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, NoName wrote:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little
    amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe
    reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo
    ( 3 of them if I recall ) and the amp will function fine. You won't even
    hear any difference either.


    This is advice you will never hear from any "expert " who simply copies
    and re-brand Ted Weber kits in some slum shithole neighborhood in Denver.

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to All on Wednesday, April 22, 2020 18:42:09
    From: ghost.crapper@gmail.com

    On Wednesday, April 22, 2020 at 5:16:21 PM UTC-6, SmallPenis tinkled:
    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, SmallPenis tinkled:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of
    Fender schematics that show that. All these amps are clones of the
    original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls.
    Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty
    straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little
    amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe
    reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo
    ( 3 of them if I recall ) and the amp will function fine. You won't even
    hear any difference either.


    This is advice you will never hear from any "expert " who simply copies
    and re-brand Ted Weber kits in some slum shithole neighborhood in Denver.

    A wager has been proposed. To hear you tell it,
    it is a wager you cannot possibly lose. A very
    easy ~$9K payday; I'm sure there are many people
    reading these threads who find it puzzling that
    you wouldn't jump right on it. You prove I'm a
    liar, and you pocket $9K. It's a win-win! So, I
    guess the only thing to be said at this point is:

    P U T U P O R S H U T U P !

    And your reply, inevitably, will be... <crickets>
    - hide quoted text -

    Lord Valve, ThD
    Expert (fuck you)

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to Lord Valve on Saturday, April 25, 2020 08:55:07
    From: ghost.crapper@gmail.com

    On Wednesday, April 22, 2020 at 7:42:11 PM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 5:16:21 PM UTC-6, SmallPenis tinkled:
    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, SmallPenis tinkled:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of >>>> Fender schematics that show that. All these amps are clones of the >>>> original circuits of 1950s. Nothing is unique about any of them .

    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls.
    Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty
    straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS
    AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and
    have
    the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little
    amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe
    reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo
    ( 3 of them if I recall ) and the amp will function fine. You won't even hear any difference either.


    This is advice you will never hear from any "expert " who simply copies
    and re-brand Ted Weber kits in some slum shithole neighborhood in Denver.

    A wager has been proposed. To hear you tell it,
    it is a wager you cannot possibly lose. A very
    easy ~$9K payday; I'm sure there are many people
    reading these threads who find it puzzling that
    you wouldn't jump right on it. You prove I'm a
    liar, and you pocket $9K. It's a win-win! So, I
    guess the only thing to be said at this point is:

    P U T U P O R S H U T U P !

    And your reply, inevitably, will be... <crickets>


    Lord Valve, ThD
    Expert (fuck you)

    <crickets>

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From %@1:229/2 to Lord Valve on Saturday, April 25, 2020 09:55:58
    From: persent@gmail.com

    On 2020-04-25 8:55 a.m., Lord Valve wrote:
    On Wednesday, April 22, 2020 at 7:42:11 PM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 5:16:21 PM UTC-6, SmallPenis tinkled:
    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, SmallPenis tinkled:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of >>>>>>> Fender schematics that show that. All these amps are clones of the >>>>>>> original circuits of 1950s. Nothing is unique about any of them . >>>>>>
    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS >>>>> AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have
    the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo >>> ( 3 of them if I recall ) and the amp will function fine. You won't even >>> hear any difference either.


    This is advice you will never hear from any "expert " who simply copies
    and re-brand Ted Weber kits in some slum shithole neighborhood in Denver. >>
    A wager has been proposed. To hear you tell it,
    it is a wager you cannot possibly lose. A very
    easy ~$9K payday; I'm sure there are many people
    reading these threads who find it puzzling that
    you wouldn't jump right on it. You prove I'm a
    liar, and you pocket $9K. It's a win-win! So, I
    guess the only thing to be said at this point is:

    P U T U P O R S H U T U P !

    And your reply, inevitably, will be... <crickets>


    Lord Valve, ThD
    Expert (fuck you)

    <crickets>

    clean your ear holes

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to Lord Valve on Saturday, April 25, 2020 10:05:32
    From: ghost.crapper@gmail.com

    On Saturday, April 25, 2020 at 9:55:09 AM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 7:42:11 PM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 5:16:21 PM UTC-6, SmallPenis tinkled:
    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, SmallPenis tinkled:
    On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of >>>> Fender schematics that show that. All these amps are clones of the >>>> original circuits of 1950s. Nothing is unique about any of them . >>>
    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the
    controls. Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty
    straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS >> AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and
    have
    the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on
    little amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe
    reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo ( 3 of them if I recall ) and the amp will function fine. You won't even hear any difference either.


    This is advice you will never hear from any "expert " who simply copies and re-brand Ted Weber kits in some slum shithole neighborhood in Denver.

    A wager has been proposed. To hear you tell it,
    it is a wager you cannot possibly lose. A very
    easy ~$9K payday; I'm sure there are many people
    reading these threads who find it puzzling that
    you wouldn't jump right on it. You prove I'm a
    liar, and you pocket $9K. It's a win-win! So, I
    guess the only thing to be said at this point is:

    P U T U P O R S H U T U P !

    And your reply, inevitably, will be... <crickets>


    Lord Valve, ThD
    Expert (fuck you)

    <crickets>

    <crickets>

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From %@1:229/2 to Lord Valve on Saturday, April 25, 2020 11:02:07
    From: persent@gmail.com

    On 2020-04-25 10:05 a.m., Lord Valve wrote:
    On Saturday, April 25, 2020 at 9:55:09 AM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 7:42:11 PM UTC-6, Lord Valve wrote:
    On Wednesday, April 22, 2020 at 5:16:21 PM UTC-6, SmallPenis tinkled:
    On 4/22/20 4:03 PM, Twang wrote:
    On Tuesday, April 21, 2020 at 12:58:34 PM UTC-5, SmallPenis tinkled: >>>>>> On 4/21/20 10:42 AM, Twang wrote:

    You can reduce the circuit to a single input. There are scores of >>>>>>>> Fender schematics that show that. All these amps are clones of the >>>>>>>> original circuits of 1950s. Nothing is unique about any of them . >>>>>>>
    I don't believe that. I suppose I could be wrong.
    But.. it depends on what we mean exactly.
    One input fine.. I build them that way. But I don't skip the controls. Nor the circuitry that
    is involved with those controls.
    You can take out the reverb, or the tremolo-for two pretty straightforward differences.. and it wont sound the same, will it?
    In your ears or on your scope?
    TWANG


    YES - THOSE CIRCUITS ARE NOT NEEDED

    YOU CAN JUST USE THE TED_WEBER SINGLE CHANNEL AMP IN THE SAME CHASSIS >>>>>> AND CABINET


    https://www.tedweber.com/6a14hp-c-kt

    I never thought you could remove tremolo and reverb from a circuit and have
    the same tone in an amp.
    Even with all controls to zero.
    But hey.. maybe you can and I just don't know it.
    I'm gonna go look deeper, since I have only done some ss reverb on little
    amps like
    the epi vj.
    maybe it's time I built some sort of princeton reverb or maybe a deluxe reverb.
    TWANG





    You can actually remove the tubes associated with the reverb and tremolo >>>> ( 3 of them if I recall ) and the amp will function fine. You won't even >>>> hear any difference either.


    This is advice you will never hear from any "expert " who simply copies >>>> and re-brand Ted Weber kits in some slum shithole neighborhood in Denver. >>>
    A wager has been proposed. To hear you tell it,
    it is a wager you cannot possibly lose. A very
    easy ~$9K payday; I'm sure there are many people
    reading these threads who find it puzzling that
    you wouldn't jump right on it. You prove I'm a
    liar, and you pocket $9K. It's a win-win! So, I
    guess the only thing to be said at this point is:

    P U T U P O R S H U T U P !

    And your reply, inevitably, will be... <crickets>


    Lord Valve, ThD
    Expert (fuck you)

    <crickets>

    <crickets>

    clean out your ears

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From NoName@1:229/2 to All on Saturday, April 25, 2020 14:48:51
    XPost: alt.guitar.amps
    From: NoEmail@void.net



    Lord Valve, ThD
    Expert (fuck you)


    I am betting you are an asshole living in a 3rd world slum in the
    inner city of Denver with a dead business .. and no one will disagree
    either

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From %@1:229/2 to Lord Valve on Saturday, April 25, 2020 17:56:47
    From: persent@gmail.com

    On 2020-04-25 5:20 p.m., Lord Valve wrote:
    On Saturday, April 25, 2020 at 1:48:54 PM UTC-6, NoName wrote:


    Lord Valve, ThD
    Expert (fuck you)


    I am betting you are an asshole living in a 3rd world slum in the
    inner city of Denver with a dead business .. and no one will disagree
    either

    How much do you want to bet? Your whole wad?
    Just a minute, I'll tell the old lady to fetch
    the penny jar.


    You stupid shit.

    crickets

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)
  • From Lord Valve@1:229/2 to NoName on Saturday, April 25, 2020 17:20:18
    From: ghost.crapper@gmail.com

    On Saturday, April 25, 2020 at 1:48:54 PM UTC-6, NoName wrote:


    Lord Valve, ThD
    Expert (fuck you)


    I am betting you are an asshole living in a 3rd world slum in the
    inner city of Denver with a dead business .. and no one will disagree
    either

    How much do you want to bet? Your whole wad?
    Just a minute, I'll tell the old lady to fetch
    the penny jar.


    You stupid shit.

    --- SoupGate-Win32 v1.05
    * Origin: www.darkrealms.ca (1:229/2)