From: open.culture@belver.alt119.net

What we think of as "film music" today is a creation of only a few inventive and original composers, one fewer of whom walks the Earth as of yesterday. Though Ennio Morricone will be remembered first for his association with spaghetti western master
Sergio Leone, his career in film scores spanned half a century and encompassed work for some of the most acclaimed directors of that period: his countrymen like Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, but also
such commanding
Hollywood filmmakers as John Huston, Terrence Malick, and Quentin Tarantino. Morricone didn't just write music to add to their films; he became a collaborator, without whose work their films would be difficult to imagine.

The result, in pictures from L'Avventura to Salò to Days of Heaven to The Untouchables to The Hateful Eight, is a union of the arts that transcends individual cultures. It doesn't matter what country you come from, what generation you belong to,
whether you enjoy Westerns or indeed cinema itself: you know the theme music Morricone wrote for Leone's The Good, the Bad, and the Ugly the moment you hear it. 

Whether or not you've seen the movie, you'll appreciate the especially rich performance by the Danish National Symphony Orchestra at the top of the post, part of a 2018 concert called The Morricone Duel, a celebration of "a wide range of western
movies and mafia movies reflecting different perspectives on an Italian-American movie and film music style."

The Morricone Duel's Youtube playlist includes the Danish National Symphony Orchestra's renditions of pieces from other Morricone-Leone collaborations like
A Fistful of Dollars, For a Few Dollars More, Once Upon a Time in the West, and Once Upon a Time
in America. Though the evening also included pieces from The Untouchables and Henri Verneuil's The Sicilian Clan, many in the audience must have thrilled most when the musicians launched into the overture from The Hateful Eight. They could hardy be
more ardent Morricone fans than Tarantino himself, who used pieces from Morricone's existing Spaghetti-western soundtracks in Kill Bill and Inglourious Basterds before making a western of his own, which wouldn't have been complete without original
Morricone music. The Hateful Eight turned out to be Morricone's penultimate film score, but his influence will resonate through generations of cinema to come - and outlast, no doubt, the western and gangster genres themselves.

Related Content:

Hear 5 Hours of Ennio Morricone's Scores for Classic Western Films: From Sergio
Leone's Spaghetti Westerns to Tarantino's The Hateful Eight

How Sergio Leone Made Music an Actor in His Spaghetti Westerns, Creating a Perfect Harmony of Sound & Image

Ennio Morricone's Iconic Song, "The Ecstasy of Gold," Spellbindingly Arranged for Theremin & Voice

Ukulele Orchestra Performs Ennio Morricone's Iconic Western Theme Song, "The Good, The Bad and The Ugly." And It's Pretty Brilliant

The Music in Quentin Tarantino's Films: Hear a 5-Hour, 100-Song Playlist

Why Marvel and Other Hollywood Films Have Such Bland Music: Every Frame a Painting Explains the Perils of the "Temp Score"

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through
21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @
colinmarshall, on Facebook, or on Instagram.

The Film Music of Ennio Morricone (RIP) Beautifully Performed by the Danish National Symphony Orchestra Play: "The Good, the Bad, and the Ugly" & Much More
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