Op 23, 12 Divertimentos - No 2, Alla Marcia in C - Felix Horetzky (1796-1870) Edition: Boosey & Co (London) - Boije 265 http://boije.statensmusikverk.se/ebibliotek/boije/pdf/Boije%20265.pdf
see Notes and Legend below - tab by weed@wussu.com - 28 December 2018
MIDI: http://www.classtab.org/horetzky_op23_12_divertimentos_02_alla_marcia_in_c.mid video: https://www.youtube.com/watch?v=e5zZHs9ZuNQ - Norbert Neunzling

tuning: EADGBE key: C major timing: 4/4

Alla Marcia (in the style of a march)
1 | . | . | . | . | . | . | . | . E|--0-------0-------0-------0-------|5g3----2-3-----5-3---------------| B|--1-------1-------1-------1-------|-0===============0-------3-------| G|*---------0-----------------------|-0===============0---------------| D|*-----------------2---------------|---------------------------------| A|--------------------------3-------|---------------------------------| E|----------------------------------|---------------------------------|

3 | . | . | . | . | . | . | . | . E|-0-----------3---1-------0-------|---------------------------------| B|-1-------1-------3-------1-------|5g3----2-3-----5-3=======--------| G|---------------------------------|-4-----3-4-----5-4======4g2--0---| D|---------2=======3-------4-------|-5---------------5---5-----------| A|-3-------------------------------|---------------------------------| E|---------------------------------|---------------------------------|

5 | . | . | . | . | . | . | . | . E|-0-------0-------0-------0-------|5g3----2-3-----5-3-------1-------| B|-1-------1-------1-------1-------|-0===============0-------0-------| G|---------0-----------------------|-0===============0-------1-------| D|-----------------2---------------|---------------------------------| A|-------------------------3-------|---------------------------------| E|---------------------------------|---------------------------------|
sf

7 | . | . | . | . | . | . | . | . E|-0===============3-----2-0-----2-|-3-------7-------3=======---------|| B|-1===============1===============|-0--------------------------------|| G|-2---------------2===============|-0-------7-------4=======--------*|| D|-----------------0===============|---------5-------5=======--------*|| A|---------0-----------------------|----------------------------------|| E|---------------------------------|----------------------------------||

c2______
9 | . | . | . | . | . | . | . | . E|--3-------3-------3-------3-------|-3-------3-------3-------5---3---| B|--6-------6-------6-------6-------|-5-------5-------5-------2=======| G|*---------0-------4-------0-------|-5-------0-------5-------2=======| D|*---------------------------------|---------------------------------| A|----------------------------------|---------------------------------| E|----------------------------------|---------------------------------|
sf

c3______________
11 | . | . | . | . | . | . | . | . E|-1-------3---1---0-------0-------|---------3-------2-------1-------| B|-3-------0=======1-------1-------|-3---------------1-------3-------| G|---------0=======2---------------|-4===============2-------4-------| D|-------------------------4-------|-5===============----------------| A|---------------------------------|---------------------------------| E|---------------------------------|---------------------------------|
sf
>
c1______________________________
13 | . | . | . | . | . | . | . | . E|-0-------0=======0=======0=======|-1---------------2---------------| B|-1-------1=======1=======1=======|-1---------------1---------------| G|-------------------------0---3---|-2---------------1---------------| D|-------------0---2---3-----------|---------------------------------| A|---------3-----------------------|---------------------------------| E|---------------------------------|---------------------------------|
< < < < < < < < < < < < f

15 | . | . | . | . | . | . | . | . E|-3-------1---0-----------0-------|---------0------------------------|| B|-1-------3---1---3-----------3---|-1---------------1=======---------|| G|-0-------------------------------|---------0-----------------------*|| D|-----------------3===============|-2---------------2=======--------*|| A|---------------------------------|-3-------3-------3=======---------|| E|-----------------3===============|----------------------------------||


Notes and Legend
----------------
The tempo of the Norbert Neunzling video is 120 bpm (eighth notes).
The tempo of the MIDI is 108 bpm (quarter notes).

measure 4 - in the sheet the 2nd C and the 2nd A are left as sharps (#) and
are not naturalised
in the Norbert Neunzling video, the chord on the 3rd beat isn't
held and the 3rd finger is used for the next B on the 3rd string
(which makes the pull-off easier to play) -

* *
3 | . | . | . | . | . | . | . | . E|-0-----------3---1-------0-------|---------------------------------| B|-1-------1-------3-------1-------|5g3----2-3-----5-3---------------| G|---------------------------------|-4-----3-4-----5-4---0--4g2--0---| D|---------2=======3-------4-------|-5---------------5---------------| A|-3-------------------------------|---------------------------------| E|---------------------------------|---------------------------------|

measure 8 - it's easier to play the last chord with the B and G played on open
strings, but it's harder to control the length of the notes -

*
7 | . | . | . | . | . | . | . | . E|-0===============3-----2-0-----2-|-3-------7-------3=======---------|| B|-0===============1===============|-0---------------0=======---------|| G|-2---------------2===============|-0-------7-------0=======--------*|| D|-----------------0===============|---------5-----------------------*|| A|---------0-----------------------|----------------------------------|| E|---------------------------------|----------------------------------||

=== - note held

- (above the tab) accented, stressed

< < < - (below the tab) crescendo - becoming gradually louder
c1 - part barre on the 1st fret
c2 - part barre on the 2nd fret
c3 - part barre on the 3rd fret
f - forte - loud
g - grace note - ornament - played here as a pull-off on or just before
the beat and immediately released
sf - sforzando - forced, strongly accented, suddenly louder

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