[continued from previous message]

A|-------------------------|-----------------7---|-3---3x-3x-3x---3x--| E|-------------------------|---------------------|-----0x-0x-0x---0x--|
4 3 1 1 2 1 4 2 1 4 1 4 4 2
3 3
f (forte - loud) 1 1

CI s s s s
.................. pizz. ....................
70 | . | . | . | . | . | . | . e|-----0x==----1x==--------|-0===============|-------------5//-| B|-----5x==----3x==--------|-9=======--------|-------------6//-| G|-----0x==----1x==----2//-|-----------------|-------------5//-| D|-----5x==----3x==----3//-|-9===============|-----------------| A|-----3x==----3x==----3//-|-----------------|-7---8=======----| E|-----0x==----1x==--------|-----7---8---10--|-----------------|
4 1 4 1 2 4 1 2 2
3 3 3 3
2 2 1
mf < < < < < < < < f mf

CIX s s s s s s s s
pizz. ................ pizz. .......
73 | . | . | . | . | . | . e|-12======--------|-----------------|-----------------| B|-9===========----|-----------------|-----------------| G|-9===========----|-------------2\\\|\1===============| D|-9===========9---|-10--12===---3\\\|\2===============| A|-----11--12------|-------------3\\\|\2===============| E|-----------------|-----------------|-----0---1---0---|
4 3 4 1 2 4 2
4
3 1
< < < < < < < f p mf < < < < <

s s s s
....................................
76 | . | . | . | .
e|-----------------|-----------------||
B|-----------------|-----------------||
G|-----------------|-----------------||
D|-----------------|-----------------||
A|-----------------|-----------------||
E|-1---0---3---1---|-0===============||
> > > > > >


Notes and Legend
----------------
"The performer of Postcards from Spain will find it impossible to sustain every note for its written value. Neverthless, it is always possible to communicate the composer's intention, and therefore the score is presented in this edition as Thea Musgrave wrote it, and as she hopes the listener will imagine it, rather
than as a precise depiction of the literal sound that one performer might produce. The ears fo the listener, rather then the fingers of the performer, guide the fingering. This means that in the first serenade, Cantaor,
for example, repeated notes are fingered on adjacent strings rather then on one string. If instead, the notes were simply played on one string, which would be easier for the performer, the sound might not be so interesting. Whilst this fingering is a model that pleases the composer and the editor, the score is presented as the composer conceived it, and other fingerings are possible."
- Michael Lorimer (editor)

Suggested duration: 2 min 35 sec

*The tab stays as close to the sheet fingering as possible, but many notes meant
to be held throughout a measure are cut off by other notes played on the same string, or played many frets higher or lower.

measure 1 - the sheet has a barre on the 10th fret(??), the first chord as
half notes, and the rundown is on the 1st string (not the 2nd)

left hand fingering below the tab -
1 - index finger
2 - middle finger
3 - ring finger
4 - little finger

=== - note held, length of note, duration

- (above the tab) accented, stressed

/ - (between the notes) slide note up
\ - (between the notes) slide note down
- - tenuto - note held for at least its full length, slightly stressed
arp. - arpeggiate - ripple upwards from the lowest note to the highest note
g - grace note (ornament) - extra note(s) played at the same time as, or
just before the main note, then immediately released - the following
note is usually played as a hammer-on, pull-off, or slide
h - hammer-on
p - (between the notes) pull-off
pizz. - pizzicato - muted (usually achieved by plucking the string with the
right thumb and using the palm of the hand to mute the sting)
s - staccato - detached, cut off, the note is not held for its full value tamb. - play the strings by hitting them near the bridge with the side of thumb cI - part barre on the 1st fret
CI - barre on the 1st fret
cII - part barre on the 2nd fret
CII - barre on the 2nd fret
CVI - part barre on the 6th fret
CIII - barre on the 3rd fret
cVII - part barre on the 7th fret
CIX - barre on the 9th fret

expressions (below the tab) -
< < - crescendo, growing louder

- decrescendo, growing softer

cresc. - crescendo - growing louder
f - forte - loud
mf - mezzoforte - moderately loud
p - piano - soft
poco - a little
rit. - ritenuto - slowing down (poco rit. - slowing down a little)

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see the latest version of this tab at http://www.classtab.org

--- SoupGate-Win32 v1.05
* Origin: www.darkrealms.ca (1:229/2)