Preludes pour guitare - Prelude 4, Vivo con fuoco - Fernande Peyrot
Edition: Musik Hug GH 11349 (Zurich, 1986) - fingering by Christoph Jaggin
see Notes and Legend below the tab - weed@wussu.com - 4 March 2018
MIDI: http://www.classtab.org/peyrot_preludes_pour_guitare_prelude_4.mid
video: https://youtu.be/f88oSHbhm8Y?t=4m46s - Smaro Gregoriadou (from 4m 46s)

tuning: E G# D G B E key sig: (see Notes) time sig: 3/4, 4/8, 3/2

Vivo con fuoco (lively with passion)

3/4 > - - -
1 | . | . | . | . | . | . E-|-------------------------|-------------------------| B-|-------------------------|-3-3-3-2-0---2-3-5-3-2===| G-|-------------------------|-------------------------| D-|-------------------------|-------------------------| G#|-6-6-6-5-3===============|-------------------------| E-|-------------------------|-------------------------|
4 3 2 1 2 4 4 2

-
3 | . | . | . | . | . | . E-|-------------------------|-------------------------| B-|===3-2-0-2-3-5---3-2-----|-------------------------| G-|-0=======------------4-4-|-4-2---------------------| D-|-0=======----------------|-----5-5-5-4-2---4-5-7-5-| G#|-1=======----------------|-------------------------| E-|-------------------------|-------------------------|
1 4 2 1 2 4 2 1 3 3 1 4 3 1 1 2 4

CIV_____
> >
5 | . | . | . | . | . | . E-|-------------------------------------------------|-------------------------| B-|-------------------------------------------------|-------------0-2-5-5-5-4-| G-|---------0-----0-0-----------------------2-------|---------0-2-----4=======| D-|-4-------------------4---2===========4-------5---|-4-2-0-2---------4=======| G#|---------5=======--------------------------------|-------------------------| E-|---------7=======--------------------------------|-------------------------|
2 3 1 3 1 4 3 1 1 1 2 2
4

- - - -
7 | . | . | . | . | . | . E-|---------------------0---|-4-2-0-------------------| B-|-----4-5-7-5-4=====7---4-|-------4-2-0---2-0-------| G-|-6---------------6=======|-2=======----2-----2-1---| D-|-----------------6=======|-------------1=======--4-| A-|-------------------------|-------------------------| E-|-------------------------|-------------------------|
3 1 2 4 3 4 3 4 2 4 2 3 4 2 1 4
2 1 1 (rit.)

4/8 Piu lento cantando (more slowly, in a singing style)
9 | . | . | . | . | . | . | . | . E-|---------------------------------|---------------------------------| B-|-------------0---2===========4---|-7---5---4---0-------5---7---9---| G-|-1h--2---1-----------------------|-----------------6---------------| D-|---------------------2---1---4---|-6===============----7---6---9---| G#|-0===================0===========|=====================0===========| E-|---------------------------------|---------------------------------|
1 2 4 4 4 2 1 2 1 4 4
3 1 3 3 3 2 3

11 | . | . | . | . | . | . | . | . E-|-5-------9---7---5=====9-5---4---|-2---4---5===============--------| B-|-----------------------------7===|=====5-------7---5---4===----7p5-| G-|-6-------------------8===6-------|---------8-----------------------| D-|---------------------------------|---------------------------------| G#|=====================0===========|=====================0===========| E-|---------------------------------|---------------------------------|
1 4 2 4 1 1 1 1 4 2
2 3 2 4 2 4 3 2 1

CIV___________________________________________________________
13 | . | . | . | . | . | . | . | . E-|---------------------------------|---------------------------------| B-|-4---4---4---5---4---7---5---4===|=======--7---5---4---------------| G-|-6=======4=======--------6=======|=======6-4=======----6---4---2---| D-|-----------------7=======--------|-----------------7=======6=======| G#|=====================0===========|=================================| E-|---------------------------------|---------------------------------|
2 4 2 2 2
3 3 3 3 3

15 | . | . | . | .
E-|---------------------------------|
B-|-------------0---2-------0-------|
G-|-1---2---1---2=======1-------3===|
D-|-4=======----------------4=======|
G#|=====0===========================|
E-|---------------------------------|
1 2 1 1 2 1 4 2
4

cII_____________
16 | . | . | . | . E-|-----------------------------------------------------------------| B-|---------2-------0-----------------------------------------------| G-|=========----------------3-------1===============================| D-|-2===============1===============0-----0-0-------------------0---| G#|-0===============----------------------------5---3-------5-------| E-|-----------------------------------------------------------------|
1 4 1 4 3 4

,
17 | . | . | . | . E-|-------------------------------------------------------------------| B-|-----------0-------2---------------0---------------3-----3-3---2---| G-|-------------------------------------------3-------1===============| D-|-2=======----------------------------------------------------------| G#|-------------------------------------------------------------------| E-|-------------------------------------------------------------------|
1 2 4
3 1

18 | . | . | . | . | . | . | . | . E-|-----0---------------------------|---------------------------------| B-|-0h2---3-2p0-2===0---------------|---------------------------------| G-|---------------------3---1=======|---------------------------------| D-|-------------2p0---------2-0-----|-4-----4-4---2---0===============| G#|-----------------5=======----5p3-|-2===============5---5---5-------| E-|---------------------------------|-----------------------------7---|
4 2 2 1 1 4 2
1 4 2 4 2 1 1 3
(accel.)

3/4 Tempo primo (original tempo) - -
20 | . | . | . | . |--3--| . | . E-|-------------------------|---------------------------------------------5===| B-|-------------------------|-------------------------------------------------| G-|-0-0-0-------------------|-------------------------0===========--0---0-----| D-|-------4-2---4-5-7-5-4---|---------7---5---4--5--7-------------7---7-------| G#|-5-5---------------------|-5-----------------------------------------------| E-|-7-----------------------|-7-----------------------------------------------|
1 3 1 1 2 4 2 4 2 1 3 1
3 4

- - - - -
s s s s s
22 | . | . | . |--3--| | . | . E-|=====--------------------|-------------------------| B-|-----8-6-5---------------|-------------------------| G-|-----------7-5-4=====5-4-|-7p-5--4-----------------| D-|-------------------------|---------7---5-------3===| G#|-------------------------|-------------------------| E-|-------------------------|-------------------------|
4 2 1 3 1 1 2 1 4 2 1 4 2 2

-
24 | . | . | . | . | . | . E-|-------------------------|-------------------------| B-|-------------------------|-------------------------| G-|-------------------------|-----------------2-------| D-|=====3---3---2-----------|-------------------------| G#|-----------------6=======|=====6---6---5---3=======| E-|-------------------------|-------------------------|
1 4 2
3 3

- - - 3/2 F. F.
26 | . | . | . | | | E-|-------------------------|-0===============================================||
B-|-------------------------|-------------------------------------------------||
G-|-2-------2-------1-------|-------------------------------------------------||
D-|-------------------------|-4---------------4---------------4---------------||
G#|=========================|-3---------------3---------------3---------------||
E-|-------------------------|-0---------------0---------------0---------------||
1 4
3

Notes and Legend
----------------
For measures 1-8 and 20-27 the key signature has 2 sharps, and the piece ends with a strong E chord, which would indicate E dorian mode. For measures 9-19 the key signature has 4 sharps and the main note is difficult to determine, maybe D# (locrian?) or C# (minor?) or G# (phrygian)? If you are a modes expert please feel free to advise or correct. Otherwise the excellent modes table at http://tunedb.woodenflute.com/tunedb/how_to_modes.html may help clarify.

The left hand fingering is taken from the sheet.

The tempo of the MIDI is 96 bpm (quarter notes) for measures 1-8, 20-27, and
76 bpm (eighth notes) for measures 9-19.

measure 12 - the sheet is unclear how the 1st note is to be played (F#) -
perhaps the F# is shown as being played again while still tied
to the earlier note is just to indicate the phrasing? however
Smaro Gregoriadou replays the F# (but she does not go down to
the 2nd fret so presumably does not hold the tied note) (5m 8s) measure 14 - in the sheet the tied C# on the 1st beat is held for a 1/4 note measure 16 - in the sheet the G# on the 2nd beat is a dotted 1/4 note (!) and
the 3rd D natural is shown as a pull-off to the C#

left hand fingering (below the tab)
1 - index finger
2 - middle finger
3 - ring finger
4 - little finger

=== - duration, length of note

- accented, stressed (measures 4,5 - top notes)

- - (above the tab) tenuto, slightly stressed, played firmly
, - slight pause, breath mark (measure 17)
|-3-| - triplet - 3 notes played in the time of 2 notes
accel. - accelerando - becoming faster
F. - Fermata - pause, notes held
h - (between the notes) hammer-on
p - (between the notes) pull-off
rit. - ritenuto - slowing down
s - (above the tab) - staccato - cut short, abrupt, detached
cII - part barre on the 2nd fret
CIV - barre on the 4th fret

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more classical tabs at http://www.classtab.org

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