From:
slider@nanashram.com
James Camerson
The director of Avatar (as well as countless other hit movies including
The Terminator, True Lies and Titanic) has cited lucid dreams as being the inspiration for one of his famous movie scenes. Musing on Avatar, he said: "...I've kind of realized that what I was trying to do was create dream imagery, create a lucid dream state while you're watching the film,"
Cameron told Hollywood Today.
"I think that most people dream of flying at some point and when we're
kids we dream of flying and I certainly did, and still have a lot of
flying dreams and I thought that if I can connect to an audience, to a
kind of collective unconscious in almost the Jungian sense, then it
bypasses all the politics and all the bull***, and all the culturally
specific stuff and all the language specific stuff around the world and connects us all to that kind of childhood, dreamlike state when the world
was magical and infinite and scary and cool and you could soar. So that
was the concept behind these scenes. And for me, personally, this was the
part of the movie that I like the best, that I can watch over and over
again."
***
A genius inventor, Tesla is best known for his many revolutionary
developments in the field of electromagnetism. His work formed the basis
of modern-day commercial electricity using Alternating Current (AC) power systems. However, he also came up with many marvelous scientific claims,
some of which remain unresolved to this day, nearly 70 years after his
death.
Nikola Tesla possessed some extraordinary mental characteristics: an acute sense of hearing, visualization skills so vivid as to mimic reality, and bizarre eccentricities of habit and behavior. His visualizations enabled
him to conduct realistic "dream experiments" while he was wide-awake in
the lab. As a result, it is very tempting to suggest that, in his virtual laboratory, Tesla functioned one level above the lucid dream state. He had
the ability, while being both physically and mentally awake, to run
complex visualizations internally with all the realism and automaticity of
a lucid dream world.
***
The famous surrealist painter, Salvador Dali, knew that lucid dreams were
real long before they were scientifically verified in the lab. He used
dream incubation techniques to pre-program his dreams, and produced many dream-inspired works, such as Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening.
Dali also pursued some forms of automatism as a way of inspiring new works straight from the unconscious. However, he eventually turned to a method
he called "critical paranoia" - a state in which he could apparently
cultivate delusion while maintaining sanity. His eccentric persona, which
is what helped make him so famous, was even considered part of his art practice.
***
As the director of Memento and The Dark Knight, Chris Nolan mined his own
lucid dreams to conceive Inception.
"I wanted to do this for a very long time, it's something I've thought
about off and on since I was about 16," he told The Los Angeles Times. "I
wrote the first draft of this script seven or eight years ago, but it goes
back much further, this idea of approaching dream and the dream life as
another state of reality."
Intriguingly, Inception's main character, Dom Cobb, is played by Hollywood celebrity Leonardo DiCaprio who also had lucid dreams before starring in
the movie. The role of Cobb in the tangled dream-within-a-dream plot is to implant an idea in the unconscious mind of his victim.
While the idea of shared dreaming currently resides in the land of science fiction, we can't escape the inherent truths of this movie: that the dream architects consciously manipulate the dreamscape with all the realism of
waking life. Also like lucid dreams, however, the unconscious mind has its
own agenda...
***
The famous American physicist, Richard Feynman, declared his aptitude for
lucid dreaming in his national bestseller, Surely You're Joking, Mr.
Feynman! He dedicated an entire chapter to his experiments with lucid
dreaming where he gave a detailed account of how he influenced his dreams:
"I also noticed that as you go to sleep the ideas continue, but they
become less and less logically interconnected. You don't notice that
they're not logically connected until you ask yourself, "What made me
think of that?" and you try to work your way back, and often you can't
remember what the hell did make you think of that! So you get every
illusion of logical connection, but the actual fact is that the thoughts
become more and more cockeyed until they're completely disjointed, and
beyond that, you fall asleep.
"I kept practicing this watching myself as I went to sleep. One night,
while I was having a dream, I realized I was observing myself in the
dream. I had gotten all the way down, into the sleep itself!
"I discovered that I could turn around, and walk back through the train --
I could control the direction of my dream. I get back to the car with the special window, and I see three old guys playing violins -- but they
turned back into girls! So I could modify the direction of my dream, but
not perfectly."
***
The electronic musician also known as Aphex Twin, Richard D James has
publicly stated that the sounds from his album Selected Ambient Works
Volume II were inspired by lucid dreams. Upon waking, he would attempt to re-create the sounds and record them.
This album consists of lengthy ambient compositions which James has
described as being "like standing in a power station on acid". James also claims to have natural synesthesia which contributes to his work.
***
The director of the dreamy live-action rotoscoped movie, Waking Life,
Richard Linklater is very familiar with the concept of lucid dreams. The
movie is an intriguing philosophical jaunt into the world of lucid
dreaming and asks the question: "Are we sleep-walking through our waking
state or wake-walking through our dreams?"
The animation technique used in Waking Life requires animators to trace
over live-action film movement, frame by frame, giving a curious
dream-like appearance; real but not real. Rotoscoping was again used in Linklater's 2006 movie, A Scanner Darkly. This movie also pressures its protagonists to make a decision about the reality they are experiencing
and to "wake up", to see their world for what it really is.
***
The creators of The Matrix, Andy and Lana Wachowski, are lucid dreamers
who drew on this notion to create a virtual reality world in which we are
all mentally enslaved, not recognizing that we are merely "dreaming".
According to the official Matrix website, they drew on a whole host of philosophies to devise the plot, including Descartes, Mahayana Buddhism
and the proverbial "brain in the vat" problem. The conundrum of The Matrix
is: "How do I know that my reality is not an illusion?" This is the key to unlocking a dream and becoming consciously lucid.
The Wachowskis convey this and more in their sci-fi trilogy. They show us
that the simple suspicion that you are dreaming is not enough (Neo knew
this from the start, yet he still wasn't able to control the Matrix yet). Instead, you must train your mind in your own lucid dojo before you can
achieve full creative action. Like Neo, many newbie lucid dreamers have difficulty flying (or at least staying airborne) until they have been
through their own personal training regime. We learn the mental
perspective required to understand what makes flight possible in a
non-physical dream world. Because of this insight, The Matrix is a
veritable instruction manual for lucid dreamers.
***
Thomas Edison – Although we aren’t sure if his famous inventions came
about because of his dreams, many people believe that Edison was an avid
lucid dreamer. There were some times where he would place a metal tin on
the floor between his feet and hold a rock in his hands while he was brainstorming, so that if he fell asleep the rock would fall into the tin
and wake him up. In those days, this was a strategy for lucid dreaming.
Edison believed that dreams were often the forerunner to brilliant ideas.
(note how this technique closely resembles the dalai lama's method of
WILDing?)
***
Guillermo del Toro is one of the most inventive filmmakers working today, who’s films Cronos, The Devil’s Backbone, Hellboy, Pan’s Labyrinth, Pacific Rim, and Crimson Peak reinvented the genres of horror, fantasy,
and science fiction.
Now, the director has unleashed an exhibition at LACMA that takes us
inside his imagination. Guillermo del Toro: At Home with the Monsters is a beautiful and macabre journey through the lucid dreams and childhood experiences that inspired his work, alongside a collection of grotesque, creepy, strange, and fantastical objects, paintings, charcoal drawings, insects, and artefacts relating to horror and the occult, as well as a selection of costuming, props, and concept art from his work.
***
:D
--- SoupGate-Win32 v1.05
* Origin: www.darkrealms.ca (1:229/2)