• 747 heard what was saw what was sew what716 sew what

    From MICHAEL LOO@1:123/140 to RUTH HAFFLY on Wednesday, May 16, 2018 12:08:30
    It was my impression that the cello player had
    always been part of the act. Maybe not. I can't
    see the piano player by himself as much of a draw.
    The cello guy was added some years in to the act. If I understand
    correctly, originally the act had several guys plucking strings, etc on
    the open piano on a regular basis; when we saw them, that was only done
    once, as the final number.

    I've read the publicity stuff and the Wiki article,
    both of which indicate to me that the cellist was
    an original part of the act - before that, there
    was just a piano store called Piano Guys, with one
    proprietor, who got a regular to make some publicity
    videos, but the live act started out with the cellist
    a significant part.

    Depends on what you're looking for in a performance.
    My standards are perhaps on the strict side.
    Probably so, being on the performance side for so long.

    My aesthetic has long since turned away from the
    "ain't that cute." My interests are more along the
    lines of the one percenters ... well, worse, as I
    am pretty much still a one percenter, I pay
    attention mostly to the 1/100th-of-a-one percenters.

    We saw the follow up (knock off?) of that called Pandemonium down in Raleigh. Steve was a bit skeptical----until the show started. Then
    he > really enjoyed it. Had good seats (smaller theater) than shows at DPAC > so we could see the stage better.
    I'm unfamiliar with that group. Where is it based?
    I don't remember; we saw the show in 2010. Lots of water over the dam
    since then.

    You said dam! [snigger]

    Paid off house, chocolate...........
    Alcohol, chocolate ... .
    Visiting kids/grand kids, chocolate...........
    Sex, drugs, rock 'n' roll, chocolate ... .
    Chocolate, a good book.........

    Book, what's that?

    Sad thing is that there are a couple thousand books
    in the house to give to charity. A few years ago I
    sent some to echo people who wanted them, but now,
    Goodwill probably gets them all.

    I can't cast any stones, having a
    multiplicity of instruments (not all
    available at the same time any more, due to
    my current lifestyle).
    Seems that's about the way it goes with any specialty field. How many different computers do we have at our house.................I really
    don't know. Got lots of odds & ends of parts too. (G) We've also got a
    lot of kitchen ware and cook books.

    Cookbooks have general interest, though. So
    I'm keeping the cookbooks. There's one I was
    specifically looking for but can't find, L"Art
    Culinaire by Henri Pellaprat, which my father
    gave to my mother when they were young. My
    father always liked good food.

    There is such a thing as sentiment. I admit
    that there is such a thing as too much of it.
    Quite so; I think some of it was due to the dementia/alsheimer's Mom had
    but a lot of other stuff should have gone by the way side years before
    that kicked in.

    I've got things that are totally useless that
    I can't see my way to getting rid of - ten-year-old
    boarding passes, for example, that I look at once
    in a while and sigh at. I found a couple old dead
    tickets, too, in my sortings.

    For a while I had to use a friend's iPad and
    found I could do most things that didn't
    require substantial user input, but typing
    on either the virtual keyboard or on the
    attached appliance was a pain.
    That's why I like a real keyboard for typing.

    Everyone probably prefers a real keyboard, even a
    "Chiclet" one such as is on this little box.

    I've made a beef Pot Au Feu that's pretty good--we call it a "fancy French Beef Stew". (G)
    As with much French cooking, it's not beyond
    most people's fanciness (or capability) level.
    Just beyond their confidence level probably.

    But that can be easily fixed if people realize
    that a fancy name doesn't mean a complicated dish.

    Celeriac Puree
    categories: French, side, celebrity
    servings: 4

    12 oz celeriac (celery root)
    1 qt milk
    salt and pepper
    1/2 c rice
    2 Tb creme fraiche or heavy cream

    Peel celeriac and cut into cubes. Place in a
    saucepan and add milk, salt, and pepper.

    Bring to a boil over high heat, and add the
    rice. Stir for 1 min. Lower the heat, partially
    cover the pan, and simmer for 20 min.

    Once the rice and celeriac are cooked, drain
    them in a colander. Save the cooking liquid.

    Place rice and celeriac in a blender or food
    processor, add 1 Tb cream, and blend for 3 min.
    Add remaining cream as vegetables are being
    blended. To thin the puree, add about 3/8 c of
    the reserved cooking liquid, and blend for 1 min.
    Taste for salt and pepper.

    If not served immediately, keep warm in a bain
    marie or double boiler, or reheat over very low
    heat before serving.

    after Michel Guerard
    --- Platinum Xpress/Win/WINServer v3.0pr5
    * Origin: Fido Since 1991 | QWK by Web | BBS.DOCSPLACE.ORG (1:123/140)
  • From Ruth Haffly@1:396/45.28 to MICHAEL LOO on Sunday, May 20, 2018 18:58:31
    Hi Michael,

    It was my impression that the cello player had
    always been part of the act. Maybe not. I can't
    see the piano player by himself as much of a draw.
    The cello guy was added some years in to the act. If I understand correctly, originally the act had several guys plucking strings, etc
    on > the open piano on a regular basis; when we saw them, that was
    only done > once, as the final number.

    I've read the publicity stuff and the Wiki article,
    both of which indicate to me that the cellist was
    an original part of the act - before that, there
    was just a piano store called Piano Guys, with one
    proprietor, who got a regular to make some publicity
    videos, but the live act started out with the cellist
    a significant part.

    I'm just going by what the guy at the piano told us at the concert.


    Depends on what you're looking for in a performance.
    My standards are perhaps on the strict side.
    Probably so, being on the performance side for so long.

    My aesthetic has long since turned away from the
    "ain't that cute." My interests are more along the
    lines of the one percenters ... well, worse, as I
    am pretty much still a one percenter, I pay
    attention mostly to the 1/100th-of-a-one percenters.

    Depends on the performance--if it's one I'm interested in, I'll pay
    close attention. Others, of little to no interest, I tune out. Cute for
    cute-sy is a total no go for my attention.

    We saw the follow up (knock off?) of that called Pandemonium
    down in > ML> > Raleigh. Steve was a bit skeptical----until the show started. Then > ML> he > really enjoyed it. Had good seats (smaller theater) than shows at > ML> DPAC > so we could see the stage better.
    I'm unfamiliar with that group. Where is it based?
    I don't remember; we saw the show in 2010. Lots of water over the
    dam > since then.

    You said dam! [snigger]

    Without the final constanant so it's a water retainer.


    Paid off house, chocolate...........
    Alcohol, chocolate ... .
    Visiting kids/grand kids, chocolate...........
    Sex, drugs, rock 'n' roll, chocolate ... .
    Chocolate, a good book.........

    Book, what's that?

    Something I still enjoy, either in electronic format or original paper.

    Sad thing is that there are a couple thousand books
    in the house to give to charity. A few years ago I
    sent some to echo people who wanted them, but now,
    Goodwill probably gets them all.

    Good for Goodwill--I like to snag books from time to time at places like
    that. A good read or book related to other interests for a small outlay
    is a great find.

    I can't cast any stones, having a
    multiplicity of instruments (not all
    available at the same time any more, due to
    my current lifestyle).
    Seems that's about the way it goes with any specialty field. How
    many > different computers do we have at our house.................I really
    don't know. Got lots of odds & ends of parts too. (G) We've also
    got a > lot of kitchen ware and cook books.

    Cookbooks have general interest, though. So
    I'm keeping the cookbooks. There's one I was
    specifically looking for but can't find, L"Art
    Culinaire by Henri Pellaprat, which my father
    gave to my mother when they were young. My
    father always liked good food.

    Keep looking; it may be there yet.

    There is such a thing as sentiment. I admit
    that there is such a thing as too much of it.
    Quite so; I think some of it was due to the dementia/alzheimer's
    Mom ML> had > but a lot of other stuff should have gone by the way side
    years ML> before > that kicked in.

    I've got things that are totally useless that
    I can't see my way to getting rid of - ten-year-old
    boarding passes, for example, that I look at once
    in a while and sigh at. I found a couple old dead
    tickets, too, in my sortings.

    I've kept some stuff like that but am sending more and more of it to the recycle bag. Nice to look back and reflect on, but after dealing with my parent's house, I'm trying to make it a bit easier for our girls in
    years to come.

    For a while I had to use a friend's iPad and
    found I could do most things that didn't
    require substantial user input, but typing
    on either the virtual keyboard or on the
    attached appliance was a pain.
    That's why I like a real keyboard for typing.

    Everyone probably prefers a real keyboard, even a
    "Chiclet" one such as is on this little box.

    Some geeks might prefer the on screen keyboard. (G)

    I've made a beef Pot Au Feu that's pretty good--we call it a
    "fancy > ML> > French Beef Stew". (G)
    As with much French cooking, it's not beyond
    most people's fanciness (or capability) level.
    Just beyond their confidence level probably.

    But that can be easily fixed if people realize
    that a fancy name doesn't mean a complicated dish.

    I've never really gotten into French cooking--done more German and
    Italian.

    ---
    Catch you later,
    Ruth
    rchaffly{at}earthlink{dot}net FIDO 1:396/45.28


    ... Nothing is ever lost. It's just where it doesn't belong.

    --- PPoint 3.01
    * Origin: Sew! That's My Point (1:396/45.28)